
Articles, radio and television about the work – and the reports in which partners such as CISU and the Danish Cultural Institute tell the story themselves.

“Regnskovens lyde” – the BIOFONIA case, told with the teachers of Bjerregrav Friskole (p. 28)
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Interview about BIOFONIA and COP30
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BIOFONIA – the rainforest in the concert hall
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The children decide: an evil wizard gets a run for his money – Sønderjyllands Symfoniorkester ends its tour in Flensburg
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BIOFONIA gave the Amazon a voice at Naturmødet
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Suddenly a North Jutland composer was making rainforest music – with its Indigenous peoples
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Mossy Mogens draws 5,000 pupils
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Klaus Rothstein reads Stolt af min by
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The Neverending Maze tours Russia
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The Neverending Maze in Moscow
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DR Musikariet gets a house composer
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Interview: the BUSTER film composer
Open ↗Et liv fortalt i musik
Open ↗Missing something? The journey year by year, with films and photos, is on the CV page.
Write to Mathias directly.
Mathias Madsen Munch · Mmmusic · CopenhagenFull portfolio →
Audience: 90,000+ listeners at around 400 concerts 2013–2026 – Koda-registered minimums for The Neverending Maze, Münchhausen, Ragnarok and The Dreaded Pirates (89,705 at 395 concerts for children) plus orchestra counts (Aarhus 2023: 5,418 · Aalborg 2024: Mossy Mogens 4,744 + approx. 600 public, The Neverending Maze 3,830 · Sønderjylland 2026: 1,684), Hong Kong 2025 (two performances, no count) and the BIOFONIA premiere (approx. 300). Other festivals are not included. LYSFALD's park guests (around 100,000 each autumn since 2022) are counted separately. Countries with concerts or workshops so far: Denmark, Faroe Islands, Sweden, Norway, Germany, Latvia, Russia, Brazil, Peru, Hong Kong; booked: Turkey, Costa Rica (conferences and presentations, e.g. Belgium and China, are not counted). Workshop totals are estimated from classes held (approx. 24 pupils per class).